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Early in the morning Kŭt-o-yĭs´ pushed the old man and said, "Come, get up now, and we will go down and kill, when the buffalo come out." It was still very early in the morning. Again he went into the lodge, and when the man-eater saw him he cried out, "How, how, how! the fat young man has survived!" and he seemed surprised. Again he took his knife and cut the throat of Kŭt-o-yĭs´ and threw him into the kettle. Again when the meat was cooked he ate it, and when the little girl asked for the bones again he gave them to her. She took them out and threw them to the dogs, crying, "Kŭt-o-yĭs´, the dogs are eating you," and again Kŭt-o-yĭs´ arose from the bones. And play the prelude of our fate.".

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"I am not sure that I can tell you,—at least not exactly as she said it," says Mona, with hesitation. "I didn't quite understand her; but Geoffrey asked her how she was enjoying herself, and she said it was 'fun all through;' and that she was amusing herself just then by hiding from her partner, Captain Dunscombe, who was hunting for her 'all over the shop,'—it was 'shop,' she said, wasn't it, Geoff? And that it did her good to see him in a tearing rage, in fact on a regular 'champ,' because it vexed Tricksy Newcombe, whose own particular he was in the way of 'pals.'" 'Silently, one by one, in the infinite meadows of heaven, "Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. "Show Mr. Rodney in here, Bridget," says Mona unflinchingly, not looking at the distressed maid, or indeed at anything but the unobservant butter. And Bridget, with a sigh that strongly resembles the snort of a war-horse, ushers Mr. Rodney into the dairy..